Jenny Proctor’s new novel Mountains Between Us, tells the story of a love triangle—Henry,
Eliza, and Flip—and the struggles that they individually experience while
trying to have it all. Unlike the LDS literature that our class has read to
date, Mountains Between Us is
primarily designed for an adult audience, and it could be adequately classified
as a “romance novel.”
Proctor’s
characters are introspective and easily frustrated. Henry is a high school
English teacher recovering from a divorce (and estrangement from his biological
father), and he channels his energy into writing a novel he won’t let anyone
read, and ignoring his pre-teen son, AJ. Eliza is a 20 year old social worker
laden with a family history of alcoholism and grief. The two come together in
North Carolina, where they both work at the same rehabilitation center, and
where they attend the same LDS ward.
Henry and
Eliza are the heroes of the novel; as is sometimes the case with romantic love
triangles, their third counterpart, Flip, is an undeveloped character who
exists solely to give Eliza and Henry something else to worry about. Interestingly
enough, Proctor makes Flip the non-Mormon. He initially attends church only out
of interest for Eliza, though he soon begins to take the discussions from the
missionaries, out of what appears to be a sincere, self-driven interest in
their message.
Proctor’s
novel, like Douglas Thayer’s Will Wonders
Never Cease, is explicitly LDS, and would doubtless confuse a reader
unfamiliar with the faith. Still, like Thayer, and like Orson Scott Card and
Luisa Perkins, Proctor makes an admirable attempt at conveying Mormonistic hope
in a small work of fiction. Many of the novel’s conflicts that seem beyond
repair somehow manage to work out in the end, and while Edith Wharton would
decry the novel as impossible and underthought, a novice reader make take some
solace in Proctor’s work, finding in Henry and Eliza’s example the courage to
continue forward, to face fears head-on regardless of anxiety.
I agree that this may be an under-thought novel. But I have to admit that most of the conflicts weren't solved as completely or easily as I'd expected from an LDS romance. I mean, it realistically takes a couple tries for Eliza's sister to finally get professional help. Henry never does get to have a civil conversation with his birth father. Eliza screws up big time with her student. So the fact that other problems were solved suspiciously easily (like how well Flip took Eliza's rejection, for instance) didn't bother me TOO much.
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