After a few drafts with my initial essay--i just wasn't happy with it. It was too churchy for me. And although my mission was a wonderful experience for me--I just felt it wasn't right to write about.
So I drafted some more. I considered writing about my mother--who is incredibly remarkable--while just on her resume it would say, "just a mom," she is an exception. She is a survivor of Polio, mother of nine children, and Oregon's Mother of the Year for 2013. But...that just didn't feel right either. Mostly because I felt I couldn't do her justice. I struggled, enough to find myself in tears trying to make this come together.
Then finally, I came to a brand new essay that I wrote in one sitting. Its something I never considered writing about--but what I feel is really about me. I read my essay to my boyfriend. He enjoyed it--because he felt that there was enough description to really be there in the scene. Although the scene covered over a period of 6 years, he was able to follow the timeline and pattern, and felt it was my appropriate voice and tone to the piece.
He suggested that I make a stronger connection with my analogies or how I used my Albert Einstein example--that it wasn't clear enough, and that I could relate that more to the Book of Mormon.
I was much more nervous to read my essay out loud. Usually posting things in a public site is much easier than reading and taking ownership in front of others, but i enjoyed the opportunity to read it out loud, because i felt i could take ownership for my words and work.
NEW ESSAY: The Girl with the Flaxen Hair
I rolled my eyes ridiculously obvious. This was only the tenth time in the last week I had pleaded my case for violin lessons.
One late night my dad popped his head around the corner as I practiced a challenging section nearly a hundred times.
I am Emily Lewis, and I will always be insane
So I drafted some more. I considered writing about my mother--who is incredibly remarkable--while just on her resume it would say, "just a mom," she is an exception. She is a survivor of Polio, mother of nine children, and Oregon's Mother of the Year for 2013. But...that just didn't feel right either. Mostly because I felt I couldn't do her justice. I struggled, enough to find myself in tears trying to make this come together.
Then finally, I came to a brand new essay that I wrote in one sitting. Its something I never considered writing about--but what I feel is really about me. I read my essay to my boyfriend. He enjoyed it--because he felt that there was enough description to really be there in the scene. Although the scene covered over a period of 6 years, he was able to follow the timeline and pattern, and felt it was my appropriate voice and tone to the piece.
He suggested that I make a stronger connection with my analogies or how I used my Albert Einstein example--that it wasn't clear enough, and that I could relate that more to the Book of Mormon.
I was much more nervous to read my essay out loud. Usually posting things in a public site is much easier than reading and taking ownership in front of others, but i enjoyed the opportunity to read it out loud, because i felt i could take ownership for my words and work.
NEW ESSAY: The Girl with the Flaxen Hair
By definition, I am insane.
Albert Einstein explained that
insanity was doing the same thing over and over again, expecting different
results.
I believed him.
I stood outside the stall in our
outdated women’s restroom of the church building. The walls painted mustard
yellow that matched the glowing linoleum. The door was a dark wood, and mirrors
placed too high for me to please my vanity.
My mother was quickly annoyed as I
endlessly tapped my foot waiting for her to come out. I leaned against the wall
like I had seen all the teenage girls do. I was only ten, but believed I had
the aura of a twenty year old.
“Please mom.” I pleaded. “It’s my
biggest dream to play the violin, and you know that.” Actually, it wasn’t. Not
until the week before when I had seen in a movie, the most beautiful girl with golden
hair gliding the bow back and forth across the strings producing a mesmerizing
melody. I hadn’t stopped thinking about
her and how badly I wanted to be the girl in the flaxen hair.
“I’ll think about it,” she
replied. That was protocol—after being of a mother of 30 years she knew not to
promise a child anything, even if she was absolutely certain she could fulfill
their request.
I rolled my eyes ridiculously obvious. This was only the tenth time in the last week I had pleaded my case for violin lessons.
What I didn’t realize then in my
adolescent world was the financial hardships facing our family. Two siblings
married, one on a mission, one in college, and five kids still at home—each in
their own private music lessons or sports teams. I was just adding on another
strain on the already too thin family budget.
She dried her hands, squeezed me
in for a long hug, hoping I would forget my distant violin star fantasy.
Weeks later, I anticipated the arrival
of my brand new violin. I checked the porch on a hourly basis, anxiously
waiting to hear the quick rap on the door of the delivery man bestowing upon me
my greatest gift. Finally it arrived. I unwrapped each layer of packaging tape
and boxes to unearth the most beloved instrument.
I brushed my hands across the soft
glossy chestnut wood. Little did I know that years down the road I would invest
hours every day with this instrument. It would be a refuge, and a friend, and
tool for good, and for learning.
I began logging in more hours with
my violin than I did with friends or social events. Now, six years later, being
a violinist isn’t what everyone else was doing and that dream of the flaxen
hair girl was quickly dimming.
As soon as I caught myself up to
playing at my age level my violin instructor enlisted me in a series of
Orchestra auditions. I was convinced I would be easily accepted. That year I
tried out for the Metropolitan Youth Symphony.
I received my letter of rejection in the mail. I wanted to bury myself
under the covers.
But, I knew I was different, and I had to try
again. Undaunted, the next year, I tried out for the Oregon Youth Orchestra,
and I was cut.
Twice I tried and, twice, I was
cut. According to Einstein, I am insane.
I was done. I wasn’t going to do
it anymore. I would just settle for those non-audition orchestras where the
only requirement is to breathe and show up to concerts. I was agitated. It
stirred so much frustration; I refocused, and practiced again and again.
One late night my dad popped his head around the corner as I practiced a challenging section nearly a hundred times.
“Emily, don’t tell mom this, but I
will pay you twenty dollars if you just please stop playing that.” His glowering
eyes spoke loud enough. I digressed and avoided his gaze.
I am like Nephi in the Book of
Mormon. He was a young man who lived in Jerusalem was commanded by his father
to go back thousands of miles to retrieve a set of ancient records that contained
his families genealogy. Nephi sees it as a task nearly impossible, but with
much confidence in Jesus Christ, he knows he can do it. Nephi too was insane.
After three failed attempts, he finally retrieves the sacred records that he
needs, fulfilling a task commissioned by God.
I took strength from Nephi. I
walked into the audition room, for the third time. This time depending on God
like Nephi did. I picked up the bow once more, placed the polished black chin
rest in its proper position, relaxed my fingers around the curvature of the
glossy wood and played. I rejoiced as I played. And found simple beauty in
doing what I loved, even if it meant I was insane.
Through my years in life I have
come to realize that to be insane means to be successful. Therefore, the
opposite of insanity would be failure. Although rational thinking or ideology
may disagree, I have done what any insane person would I have remain dedicated
to my ideals.
According to Einstein, I am
insane.
Because of this, I was accepted into
the Oregon Youth Orchestra. I kept my position as first chair violinist for
years to follow.
I became a leader, musician, and
successor.
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